{"id":130782,"date":"2021-08-26T19:34:25","date_gmt":"2021-08-26T17:34:25","guid":{"rendered":"https:\/\/www.ffos.unios.hr\/science-portal\/aesthetics-laboratory-of-the-faculty-of-humanities-and-social-sciences\/knjizevni-klub\/"},"modified":"2026-09-25T15:46:00","modified_gmt":"2026-09-25T13:46:00","slug":"literary-club","status":"publish","type":"page","link":"https:\/\/www.ffos.unios.hr\/en\/science-portal\/aesthetics-laboratory-of-the-faculty-of-humanities-and-social-sciences\/literary-club\/","title":{"rendered":"Literary Club"},"content":{"rendered":"<p style=\"padding-left: 8%; padding-right: 8%;\"><img decoding=\"async\" class=\"alignright wp-image-6686\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/08\/knjizevni_klub-216x300.png\" alt=\"\" width=\"179\" height=\"249\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/08\/knjizevni_klub-216x300.png 216w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/08\/knjizevni_klub.png 399w\" sizes=\"(max-width: 179px) 100vw, 179px\" \/>Literature and philosophy call into question the essence of everything that is, enchant the world and illuminate being as relation. Yet in an age dominated by mass stupidity, when the radiance of <em>logos<\/em> (word and meaning) is fading, we are called upon to reconsider our place and orientation and to decipher the hieroglyphs of a lost humanity. The capacity for thought within us seeks life in a world that has emptied life of all content. We must avoid the comfort of the cushions of apocalyptic thinking, for genuine <em>poiesis<\/em> calls for a specific nomadic practice in which a turn and a different way of living\/thinking become urgent. Literature, meanwhile, is a mode of thought in which elementary questions of existence are constantly raised: What are we actually doing? What is truly our own? What is our cosmos? In this sense, through reading the great works of classical and modern literature, and through conversations, forums, book presentations and other gatherings, the Literary Club will discuss answers and questions that are never stated once and for all, but instead express our self-knowledge through great literature.<\/p>\n<h2>EVENTS<\/h2>\n<h2><a name=\"postnikov\"><\/a><\/h2>\n<h2><strong>14 October 2025<br \/>\nEstLab Forum: <\/strong><strong>Does \u201cPost-Yugoslav Literature\u201d (Still) Exist? \u2013 <\/strong>guest Boris Postnikov<\/h2>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post-300x225.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-111783\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post-300x225.jpg\" alt=\"\" width=\"402\" height=\"302\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post-300x225.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post-1024x768.jpg 1024w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post-768x576.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post-1536x1152.jpg 1536w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/10\/postnikov_post.jpg 1600w\" sizes=\"(max-width: 402px) 100vw, 402px\" \/><\/a>What is the \u201c<strong><em>Literary Republic of Yugoslavia<\/em><\/strong>\u201d? What, then, is the (post-)Yugoslav literary field? And is it even possible to speak freely about the toponym called YUGOSLAVIA?\u2026 at least within the so-called \u201cacademic establishment\u201d?<\/p>\n<p>An affirmative answer to the final questions in this series shows that \u2013 YES, IT IS! <span style=\"text-decoration: underline;\">On Tuesday, 14 October, Boris Postnikov was a guest at FFOS.<\/span> <strong>Boris Postnikov<\/strong>. The author of the book mentioned in the opening sentence spoke with the participants and audience at the first session of the new season of Osijek\u2019s Aesthetic Laboratory. The main thesis of the publication\u2019s narrative \u2013 also accepted by numerous literary theorists and historians of literature \u2013 is that even after the dissolution of the country once known as the SFRY, a \u201cshared cultural space\u201d continues to exist. It is <em>inhabited<\/em> by writers who do not wish to be confined within any canonical \u201cnational space\u201d. The continuity of \u201cpost-Yugoslav literature\u201d must therefore be taken into account by all future research into literary developments in this region.<\/p>\n<p>Among other things, the conversation examined the role and position of the most prolific \u201cpost-Yugoslav\u201d writer, Miljenko Jergovi\u0107, as well as the role of Dubravka Ugre\u0161i\u0107 in defining this \u201cliterary field\u201d. The discussion also addressed self-declared \u201cpost-Yugoslav\u201d writers such as Marko Poga\u010dar and, in particular, Ale\u0161 Debeljak. The final conclusion of the discussion was that there can be no dispute about the diversity and vitality of literary\/cultural phenomena that emerged after the dissolution of Yugoslavia. \u201cPost-Yugoslav literature\u201d is an unquestionable fact of a free, universal space beyond national <em>Croatian, Serbian, Slovenian<\/em> and other literatures within the territory of the former state.<\/p>\n<p>In conversation with the book\u2019s reviewer <strong>Igor Gajin<\/strong>, as well as with the author of these lines, the author considered numerous aspects of <em>literature and Yugoslavism<\/em>, a topic that provocatively entered the terrain of exclusivity cultivated by local nationalist \u201ccultural gatekeepers\u201d. In the well-filled Room 39 at FFOS, one thing was confirmed\u2026 YES, it is possible to speak freely about <em>reading and writing<\/em> in the spirit of the Yugoslav cultural tradition.<\/p>\n<p><strong><em>mk<\/em><\/strong><\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"Estlab - Postoji li (jo\u0161) \u00bbpostjugoslavenska knji\u017eevnost\u00ab? - gost Boris Postnikov\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/ZlnP_BR5Jk8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h2><a name=\"hedl\"><\/a><\/h2>\n<h2><strong>29 April 2025<br \/>\n<\/strong>The Crime and Punishment of Aesthetics \u2013 Conversation with Drago Hedl<\/h2>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab-300x225.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-105584\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab-300x225.jpg\" alt=\"\" width=\"400\" height=\"300\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab-300x225.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab-1024x768.jpg 1024w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab-768x576.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab-1536x1152.jpg 1536w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/05\/hedl_estlab.jpg 1600w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>In a special edition of the Aesthetic Laboratory held on 29 April 2025, the distinguished journalist, publicist and writer <strong>Drago Hedl<\/strong> was our guest. Entitled <em>\u201cThe Crime and Punishment of Aesthetics\u201d<\/em>, the event brought together an audience interested in topics at the intersection of journalism, literature and social criticism.<\/p>\n<p>The conversation with Drago Hedl opened numerous questions about the boundaries between truth and fiction, the role and responsibility of the writer, and the power of aesthetics in shaping narratives about real crimes. Through dialogue and reflection, the discussion addressed ethical dilemmas related to the aesthetic representation of violence and the role of literature in shaping (or obscuring) social justice. Fundamental questions were also raised about the nature of literary confession: is it truly a stripping bare of life, can what is true be beautiful, and what is beautiful be true? In an atmosphere of poetic forensics and aesthetic examination, the meeting created space for reflecting on the role of art in confronting social trauma, particularly in times when institutions often fail to provide appropriate punishment in response to crimes committed.<\/p>\n<p>The audience showed great interest in the topic, and the event continued with informal conversations after the official programme.<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"Estlab - Zlo\u010din i kazna estetike - gost Drago Hedl\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/0IgxHBuclQc?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><a name=\"govedic\"><\/a><\/p>\n<h2><strong>18 March 2025<br \/>\n<\/strong><strong>The Sensual Language of Criticism and Literature: <\/strong><strong>EstLab Conversation with Nata\u0161a Govedi\u0107<\/strong><\/h2>\n<p data-pm-slice=\"1 1 []\"><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/03\/natasa_govedic-300x225.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-103401\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/03\/natasa_govedic-300x225.jpg\" alt=\"\" width=\"400\" height=\"300\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/03\/natasa_govedic-300x225.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/03\/natasa_govedic-768x576.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2025\/03\/natasa_govedic.jpg 1000w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>In today\u2019s age of highly specialised knowledge, when experts operate within very narrow fields of science or art, we rarely encounter those almost Renaissance-like personalities who effortlessly sail the seas of different forms of knowledge, connecting distant, often invisible and seemingly untouchable shores through their work. One such personality is undoubtedly Nata\u0161a Govedi\u0107, as we had the opportunity to discover during the conversation held on Tuesday, 18 March at 6:30 p.m. as part of an EstLab gathering.<\/p>\n<p>As we became acquainted with Nata\u0161a Govedi\u0107\u2019s work and activities, it became clear that she is an experienced navigator who skilfully and effortlessly connects art and science, literature and theatre, poetry and language, reading and living, school and life. The conversation began with the topic of school and life, and through her latest book, <em>Praise of Unbound Hands \u2013 Courageous Readings and Critical Pedagogies<\/em>, Govedi\u0107 opened important questions about how well schools truly prepare students for life and how spaces of freedom can be found within institutional education, whether as a student or a teacher. It was emphasised that such a space can truly come alive only if it encourages creative expression and critical thinking.<\/p>\n<p>The conversation then continued with the topic of sensuality in language, or what the author herself calls the \u201ceros of creation\u201d. Nata\u0161a Govedi\u0107 emphasised the importance of exploring sensory experience when giving linguistic form to personal experiences of a book, a performance or music. Such an approach allows us, through criticism and creative expression, to recreate ourselves in a multitude of different ways.<\/p>\n<p>Special attention was given to the current state of literary and artistic criticism. The discussion highlighted the problem of the contemporary world being flooded with information, making it difficult to find one\u2019s authentic voice and distinguish constructive criticism from mere fault-finding. Nata\u0161a supported her insights and reflections with ideas from her book <em>Oscar Wilde Leaves Prison, or Your Favourite Art Is Called Criticism<\/em>, further enriching the conversation.<\/p>\n<p>During the gathering, many topics emerged spontaneously, and the audience had an opportunity to experience a unique intellectual journey. Thanks to the wealth of insights offered by Nata\u0161a Govedi\u0107, everyone present left the event enriched with new ideas and fresh perspectives.<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Senzualni jezik kritike i knji\u017eevnosti - go\u0161\u0107a Nata\u0161a Govedi\u0107\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/JHQ996grI5U?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><a name=\"lujanovic\"><\/a><\/p>\n<h2><strong>10 December 2024.<\/strong><strong><em>EstLab<\/em><\/strong><strong> Conversation: <\/strong>EstLab: Minor Literature? (guest Gloria Lujanovi\u0107)<\/h2>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/12\/gloria_lujanovic_estlab-300x225.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-97710\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/12\/gloria_lujanovic_estlab-300x225.jpg\" alt=\"\" width=\"450\" height=\"338\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/12\/gloria_lujanovic_estlab-300x225.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/12\/gloria_lujanovic_estlab-768x576.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/12\/gloria_lujanovic_estlab.jpg 1000w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/a>On Tuesday, 10 December, the final EstLab event of the year was held. Gloria Lujanovi\u0107 was the guest of this distinctive \u201cliterary evening\u201d. This Croatian writer, originally from Bosnia and Herzegovina, spoke about two of her notable books published during the previous year. One was the distinctive <strong><em>poem<\/em><\/strong> <em>FATHER<\/em>, while the other was a contribution to the \u201cculture of memory\u201d, a record of the wartime suffering of Bosnian Croats in the La\u0161va Valley, <em>HEART OF THE LAND<\/em>.<\/p>\n<p>The discussion also problematised the concept of so-called \u201cminor\/minority literature\u201d, and the author expressed her attachment to Croatian national identity. At the same time, however, she also acknowledged her regional belonging to Bosnian literature. This distinctive positioning of Gloria Lujanovi\u0107 was itself one of the topics discussed with the author by the acclaimed and award-winning writer Ivana \u0160ojat and EstLab co-founder Marijan Krivak.<\/p>\n<p>Finally, the phenomenon of literary \u201cfairs\u201d was also discussed, prompted by the author\u2019s journalistic piece on that year\u2019s Interliber. The event, which attracted considerable interest from those present, opened a range of questions about the place of books and the humanities in contemporary society. Gloria Lujanovi\u0107 offered her first-hand perspective on this phenomenon.<\/p>\n<p><strong><em>mk<\/em><\/strong><\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Manjinska knji\u017eevnost - go\u0161\u0107a Gloria Lujanovi\u0107\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/Tav4vOxKPHw?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><a name=\"novak\"><\/a><\/p>\n<h2><strong>19 March 2024<br \/>\n<\/strong><strong><em>EstLab<\/em><\/strong><strong> Conversation: <\/strong><strong>Writer and Scholar \u2013 The Autoethnographic Landscapes of Kristian Novak<\/strong><\/h2>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/03\/novak2-300x225.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-83294\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/03\/novak2-300x225.jpg\" alt=\"\" width=\"500\" height=\"375\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/03\/novak2-300x225.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/03\/novak2-768x576.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/03\/novak2.jpg 1000w\" sizes=\"(max-width: 500px) 100vw, 500px\" \/><\/a>\u201cI write in order to survive,\u201d <strong>Kristian Novak<\/strong> told us on Tuesday, 19 March 2024, in the well-filled Ceremonial Hall of FFOS, in his characteristic style, openly and without restraint laying bare what is, for him and for many others, the painful process of writing. This recipe for life, as we might call it, extends throughout Kristian\u2019s trajectory as both writer and scholar, two paths which, as became apparent, intertwine many times, just like the \u201cbraids\u201d of narration in his novels, as described by his editor at the publishing house OceanMore, <strong>Kruno Lokotar<\/strong>. It became clear that the role of the \u201cwrite-and-erase\u201d board is crucial to his very existence, since the path toward a completed story has many possible routes, and returning to a particular word or scene proves just as important as moving forward. Particularly fascinating was a moment some five minutes after a question from the audience, asked by a young aspiring author, when you realise that Kristian had managed, with almost astonishing precision, to describe the process of creating a literary character or depicting an event crucial to the development of a novel\u2019s plot. In those moments, it was apparent that he is also an excellent lecturer and entertainer, using effortless, self-ironic humour to demonstrate in practice what he says is his greatest strength: the self-reflective first person through which he exposes his characters and their actions almost to the point of discomfort. He repeatedly returned to those moments when an obsessive idea acquires form and to the way in which form influences the final content. He also managed to convey both the importance and the weight of an author\u2019s decision regarding the way characters speak from the pages of a book, and the significance of the language in which they speak. It became clear how deliberate his decision had been to characterise his figures not only through descriptions of their actions but also through their speech, the choice of textual format and the linguistic variety itself, in the enduring tension between the standard language and the Me\u0111imurje dialect. These nuances of linguistic choice are precisely a reflection of the intersection between Kristian\u2019s fields of activity, as he himself calls them: those of the writer and the linguist, fields that meet in the method of autoethnography and in a deep prose immersion into the landscapes of <strong>Me\u0111imurje<\/strong> and its people. Introduced into the conversation by the gentle voice of <strong>Teta Liza<\/strong> and the traditional song \u201c<em>Me\u0111imurje, kak si lepo zeleno<\/em>\u201d, we were invited to unravel the duality of feeling evoked by this beautiful part of Croatia, a feeling very close to <em>sevdah<\/em>, as I understand it. <em>Saudade, morna<\/em>, this simultaneous feeling of sadness and happiness, seems almost to be a fundamental characteristic of Me\u0111imurje\u2019s tradition and way of life, yet it stands in obvious conflict with the darkness faced by the characters in Novak\u2019s novel <em>\u010crna mati zemla<\/em>, perhaps the most \u201cMe\u0111imurje-like\u201d of all his works. Kristian nevertheless points out that people in Me\u0111imurje today have distanced themselves from traditional music and that somewhat more contemporary Pejakovi\u0107 and Stavros are now heard at weddings there. We also concluded that there has been a shift in his literary motifs, from geographically specific ones, such as coexistence with the Roma community or the smuggling of migrants in <em>Gypsy, but the Most Beautiful<\/em>, toward the far more universal crime-report motifs of <em>The Case of My Own Demise<\/em>, which could have taken place almost anywhere.<\/p>\n<p>Kristian also demonstrates his obsessive attention to detail and narrative precision in his dissertation of more than 500 pages, <em>Multilingualism and Collective Identities of the Illyrians. Linguistic Biographies of Dragojla Jarnevi\u0107, Ljudevit Gaj and Ivan Kukuljevi\u0107 Sakcinski<\/em>, in which he used correspondence between members of the Illyrian movement to portray a lesser-known image of the role of bilingualism in the formation of Croatian identity. He demonstrated that the Illyrians, most of whom were German speakers, used the process of learning Croatian to illustrate how language can reshape not only linguistic, but also social reality. Particularly interesting was his portrayal of the life and work of Dragojla (Karolina) Jarnevi\u0107, yet another example of a woman who might have been recognised as a scholar in another time and society, but who instead had to endure the constant neglect of her work as an educator and author.<\/p>\n<p>Kristian also revealed a detail from his life that defined yet another of his roles, that of editor of a literary work, a task that, in his words, may have been the most difficult of all, though not because of the author whose work he edited. That author was his Croatian-language teacher, Ivan Pranji\u0107, the man whom Kristian may perhaps thank for his decision to become involved in writing literary works. Perhaps the most intimate part of the conversation was his description of the method Professor Pranji\u0107 used to teach his pupils how to write essays, encouraging them to write in their own Me\u0111imurje language so they could express what they thought and felt. In this miniature from Kristian\u2019s childhood, but also in his voice, one could sense all the gentleness and persistence with which a teacher recognises the importance of language and the sense of security offered by familiar words when they are written down and seen on paper. It could also be said that this fragment from the past found its mirror image in the synergy between teacher-writer and pupil-editor several decades later, while perhaps also reflecting Kristian Novak himself as both writer and scholar, an obsessive seeker of the truth that liberates.<\/p>\n<p>Tanja Grade\u010dak<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Autoetnografski pejza\u017ei - gost Kristian Novak\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/CFP6Am4qBeE?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><a name=\"adamovic-sojat\"><\/a><\/p>\n<h2><strong>23 January 2024<br \/>\n<\/strong><strong><em>EstLab<\/em><\/strong><strong> Forum: \u201cA New Generation of Croatian Women Writers\u201d \u2013 <\/strong>guests Julijana Adamovi\u0107 and Ivana \u0160ojat<\/h2>\n<p><span class=\"yt-core-attributed-string yt-core-attributed-string--white-space-pre-wrap\" role=\"text\"><span class=\"yt-core-attributed-string--link-inherit-color\"><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/02\/estlab_tribina_adamovic_sojat.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-79892 size-full\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/02\/estlab_tribina_adamovic_sojat.jpg\" alt=\"\" width=\"800\" height=\"490\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/02\/estlab_tribina_adamovic_sojat.jpg 800w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/02\/estlab_tribina_adamovic_sojat-300x184.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2024\/02\/estlab_tribina_adamovic_sojat-768x470.jpg 768w\" sizes=\"(max-width: 800px) 100vw, 800px\" \/><\/a>The forum \u201cA New Generation of Croatian Women Writers\u201d, organised by the Aesthetic Laboratory of the Faculty of Humanities and Social Sciences in Osijek, was held on 23 January 2024 at 6 p.m. in Room 54 of the Faculty of Humanities and Social Sciences in Osijek. The topic of the forum, \u201cA New Generation of Croatian Women Writers\u201d, formed part of the project <em>Poetry in the Shade<\/em>, whose primary aim is to introduce participants to literary and poetic creation while encouraging students to develop their own literary expression. Memories and experiences are what Croatian women writers offer as a path toward emancipation or as a reminder of the need for broader social sensitivity. The Croatian women writers of the new generation who follow such literary paths, and who inspired the forum and its thematic framework, are the award-winning authors Ivana \u0160ojat and Julijana Adamovi\u0107. Ivana \u0160ojat is a translator and writer with a rich body of work encompassing poetry, essays, short stories, novellas and novels. Particularly notable is her multi-award-winning novel <em>Unterstadt<\/em>, which was also adapted into an award-winning stage production at the Croatian National Theatre in Osijek. The most prominent work by Julijana Adamovi\u0107, herself also the recipient of numerous awards, is the short-story collection <em>Kako su nas ukrali Ciganima<\/em>. Adamovi\u0107\u2019s education and interests are also reflected in her publication of literary works for children. Although Ivana \u0160ojat and Julijana Adamovi\u0107 are established and award-winning writers whose work hardly requires special introduction, we believe that their appearance at EstLab, above all through their experiences and memories, will present their work and engagement from a different perspective and perhaps open numerous questions that have until now remained closed. The conversation with the writers was moderated by EstLab members Lucija Leventi\u0107 and Martina Ivanovi\u0107.<\/span><\/span><\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Hrvatske knji\u017eevnice novog nara\u0161taja - go\u0161\u0107e Julijana Adamovi\u0107 i Ivana \u0160ojat\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/flSHO13tjto?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><a name=\"jergovic\"><\/a><\/p>\n<h2><strong>12 December 2023<br \/>\n<\/strong><strong><em>The Wisdom of Defeat, the Madness of Victory \u2013 <\/em><\/strong><strong>with <\/strong><strong>Miljenko Jergovi\u0107<\/strong><strong> on Football, Writing and\u2026 Philosophy<\/strong><\/h2>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic1-scaled.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-76899 \" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic1-1024x768.jpg\" alt=\"\" width=\"688\" height=\"455\" \/><\/a>What is the essence of the globally popular sport called \u2013 FOOTBALL? Why are wars fought over football, both imaginary-ideological ones and real ones? Finally, what is the meaning of the very presence of this sport in our lives here, lives so exposed to all manner of ideological and other manipulations and abuses of the masses of devoted subscribers, the so-called \u201cfans\u201d?<\/p>\n<p>We sought answers to these questions in a conversation with <strong>Miljenko Jergovi\u0107.<\/strong> For anyone in this region who may not already know, Jergovi\u0107 is one of the leading intellectual figures of Bosnian and Croatian narrative literature. As he describes himself, for example, in one of his own novels, he is a \u201cnational outcast with a Balzacianly extensive oeuvre, wandering around Zagreb pretending to be his own shadow and pretending not to exist\u201d\u2026 (<em>Herkul<\/em>, Fraktura, Zagreb, 2019, p. 152).<\/p>\n<p>We attempted, meanwhile, to improvise answers to the questions posed above during an EstLab conversation between the author of these lines and the writer himself, one of the most eminent guests to date at the FFOS Literary Forum. One year after the FIFA World Cup in Qatar and yet another in the series of \u201chistoric successes\u201d of the sacrosanct idea of the <em>Vatreni<\/em>, the discussion therefore focused on football, prompted by the book published that year, a kind of Jergovi\u0107 \u201cintimate diary\u201d entitled <strong><em>The Wisdom of Defeat, the Madness of Victory<\/em><\/strong> (Fraktura &amp; 24 sata, Zagreb). The conversation, however, revealed much more. For example, Jergovi\u0107 sees the essence of the popular sport in the \u201cspirit of the game itself\u201d. He also argued that watching a football match requires a certain kind of \u201csolitude\u201d. It is almost a contemplative, metaphysical ritual, a kind of \u201cepistemology\u201d of a phenomenon seemingly familiar to everyone. Finally, we also arrived at an answer as to why the \u201cvery essence\u201d of football \u2013 through a series of accidents and contingencies \u2013 came to expression during the final of the World Cup in Qatar on 18 December 2022!? According to both interlocutors, the public reception of the Croatian national football team, the \u201csacred Vatreni\u201d to everyone, and the meaning of football as a game have nothing in common! Why? Precisely because the essence of football arises from the \u201cspirit of the game itself\u201d, while what took place in Zagreb\u2019s main square was a carnival of forced national exaltation.<\/p>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2-300x225.jpg\"><img decoding=\"async\" class=\"alignright wp-image-76905 size-medium\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2-300x225.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2-1024x768.jpg 1024w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2-768x576.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2-1536x1152.jpg 1536w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/12\/Jergovic2.jpg 2000w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>And it is good that this is so. For\u2026 just as the essence of philosophy may be derived from poetry, and just as Nietzsche saw the birth of tragedy in the spirit of music, so too can football be interpreted \u201cin the spirit of the game\u201d, and certainly not as the meaning of life itself (as is often the case in Croatia).<\/p>\n<p>Almost three decades after the cult <em>Sarajevo Marlboro<\/em> (1994), Jergovi\u0107 has, <em>volens nolens<\/em>, established himself as one of the most influential writers of his generation. In terms of oeuvre, unquestionably so\u2026 But also through his rare gift for storytelling. It was precisely this \u201cart of storytelling\u201d that he lucidly revealed before a large audience on 12 December in Room 39 at FFOS. Were all the questions posed above answered? Of course, NO. But we had the opportunity to spend time with one of the <strong>most significant, most widely translated<\/strong> and <strong><em>most accomplished novelistic, narrative and essayistic<\/em><\/strong> figures in the field of literature within our immediate geographical region. It was worth it\u2026<\/p>\n<p><strong><em>mk<\/em><\/strong><\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Mudrost poraza, ludost pobjede - gost Miljenko Jergovi\u0107\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/NwVBBmlxyRU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><a name=\"mlakic\"><\/a><\/p>\n<h2><strong>14 March 2023<br \/>\n<\/strong><strong>Writer Josip Mlaki\u0107 at the Aesthetic Laboratory of FFOS<\/strong><\/h2>\n<p>YouTube recording of the event: <a href=\"https:\/\/youtu.be\/-CXDvy5eg6c\" target=\"_blank\" rel=\"noopener\">https:\/\/youtu.be\/-CXDvy5eg6c<\/a><\/p>\n<p><a href=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/03\/mlakic-300x187.jpg\"><img decoding=\"async\" class=\"alignleft wp-image-56887\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/03\/mlakic-300x187.jpg\" alt=\"\" width=\"420\" height=\"262\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/03\/mlakic-300x187.jpg 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/03\/mlakic-768x479.jpg 768w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2023\/03\/mlakic.jpg 1000w\" sizes=\"(max-width: 420px) 100vw, 420px\" \/><\/a>On 14 March 2023, the <strong>Faculty of Humanities and Social Sciences in Osijek<\/strong>, through the <strong>Aesthetic Laboratory<\/strong>, hosted the distinguished regional author <strong>Josip Mlaki\u0107<\/strong>. At the beginning of the conversation, the state of the Croatian and regional literary scene was discussed. <strong>Mlaki\u0107<\/strong> was then introduced as a highly ambitious writer (Gajin), with a broad range of themes. On several occasions, the author also highlighted his achievements in film, which was particularly interesting to part of the audience. Although the author distanced himself from the predominance of certain apocalyptic and \u201cdark\u201d atmospheres, Senkovi\u0107 emphasised them. For <strong>Mlaki\u0107<\/strong>, such resonances and moods are crucial to depicting the contemporary condition, supported by a technically well-developed discourse. <strong>Mlaki\u0107<\/strong> explained that he likes to write in the tradition of major modern authors, and consequently a significant part of the conversation focused on Ivo Andri\u0107.<\/p>\n<p>The novel <em>Na Vrbasu tekija<\/em> was written boldly, as an attempt to compose variations alongside Ivo Andri\u0107. It was both interesting and instructive to hear once again about this great writer and about the distinctive Andri\u0107-like style, which may seem na\u00efve to some because of its reliance on folk idioms, although it is anything but na\u00efve (Gajin). Alongside the strictly literary dimension, it was unavoidable to comment on Ivo Andri\u0107\u2019s \u201cpolitical status\u201d, which Mlaki\u0107 also addressed critically. Dystopia was described as speaking primarily about our present and our contemporary orientations. For example, the novel <em>Planet Friedman<\/em> portrays a devastated land and empty oceans: \u201cThousands of shipwreck survivors threw messages in bottles into the sea, with no one for them to reach.\u201d In this context, certain historical perspectives and \u201cevents\u201d were examined as a form of media opium for the masses. Several other Mlaki\u0107 novels were also mentioned: <em>The Gospel According to Barabbas<\/em> (written from the perspective of the Jewish rebel Barabbas, imagining the life of Jesus), <em>Of Gold, People and Dogs<\/em> (an apocalyptic perspective, the future and Bosnia and Herzegovina), and <em>The Second Noah\u2019s Ark<\/em> (about the end of the world as we know it, greed and ruthlessness, and a mountain inhabited by the worker Noah and the shepherd Ibrahim). Specific Bosnian fatalism and contemporary hopelessness were mentioned several times, although not everyone agreed with this interpretation (Senkovi\u0107). The conversation was interesting, particularly because it addressed the great writer Andri\u0107. Participants included Josip Mlaki\u0107, Igor Gajin and \u017deljko Senkovi\u0107. There were also several questions and comments from the interested audience, which greatly contributed to the quality and atmosphere of this cultural event.<\/p>\n<p style=\"text-align: right;\">\u017deljko Senkovi\u0107<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Bezna\u0111e i fatalizam - gost Josip Mlaki\u0107\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/-CXDvy5eg6c?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<h2><strong>2 June 2022<br \/>\nEstLab Conversation: Krle\u017ea on Peace and War <\/strong><\/h2>\n<p><strong>On Thursday, 2 June 2022<\/strong>, a discussion about peace and war was held. University professors <strong>Goran Rem, Igor Gajin<\/strong> and <strong>\u017deljko Senkovi\u0107<\/strong> discussed different <strong>Krle\u017eian perspectives<\/strong> on the topic. From the original framework established by the great writer, peace emerged as fragile and unattainable, similar to an \u201cillusion of love\u201d. However, the emphatic depiction of wartime suffering and tragedy, particularly in the cycle of short stories portraying the reality of the First World War, <em>Croatian God Mars<\/em>, can also be understood inversely, as an encouragement toward insight into fundamental humanistic ideals. The interlocutors emphasised the polymorphic nature of modern discourse, within which even the conceptual pair \u201cpeace-war\u201d can be thought of only as an apparently divided reality. Krle\u017ea approaches reality itself polemologically, while peace, on the other hand, is neither static nor unquestionable, but always a relational category realised within the dynamism of life and the world. Alongside the author\u2019s well-known motifs that war runs contrary to \u201cnormal human reason\u201d, represents \u201cstupidity expanding without limit\u201d and constitutes \u201cgorillism\u201d, the historical context of Krle\u017ea\u2019s thinking about war was also considered, illuminating a horizon extending from his so-called socialism to our so-called modern postmodernism.<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Krle\u017ea o miru i ratu\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/ZhjIQaPnuno?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>We live in an age of masses cheering for frenzied dictatorships. Between despair and indifference, perhaps we encounter only \u201cformer people\u201d. <strong>Krle\u017ea<\/strong> confronted the dark forces within us and wanted to change things at their roots, while many insights contained in his artistic truths were guided by a criticism of war as a disgrace to the \u201cdignity of reason and morality\u201d. War lives within human beings like a \u201chungry hyena\u201d, driven by timeless stupidity, while the only victor in every war is death. In numerous texts, from essays and short stories to poetry, this great writer exposed the absurdity and horror of war. Yet the decisive question remains how to think and realise peace, that fragile phenomenon resembling an \u201cillusion of love\u201d?<\/p>\n<p>In a packed lecture hall at the Faculty of Humanities and Social Sciences in Osijek, an interesting dialogue developed among students, colleagues and invited professors. Toward the end of the conversation, the discussion moved from Krle\u017eian motifs to the meaning of literature and artistic truth in general. We hope that such inspiring conversations will contribute to further research into Croatian literature and culture.<\/p>\n<p style=\"text-align: right;\">\u017deljko Senkovi\u0107<\/p>\n<hr width=\"100%\" \/>\n<h2>21 December 2021<br \/>\nEstLab Conversation: Writing and the Metamorphoses of the Soul. Fyodor Mikhailovich Dostoevsky<\/h2>\n<p data-wahfont=\"16\" data-wahpro-txt-style=\"text-align: center; font-size: 16px;\"><span data-wahfont=\"16\">On Tuesday, <strong>21 December 2021 at 7 p.m.<\/strong>, in the <\/span>Small Council Hall of the Faculty of Humanities and Social Sciences in Osijek, as part of the activities of the <strong>Literary Club of the Aesthetic Laboratory<\/strong>, a discussion was held about <strong>Dostoevsky<\/strong>, the timeless Russian writer whose novels have left an indelible mark on world literature, but also on each of us&#8230;<\/p>\n<p data-wahfont=\"16\" data-wahpro-txt-style=\"text-align: center; font-size: 16px;\">The participants in the discussion were: <strong>\u017deljko Senkovi\u0107, Igor Gajin and Boris Bosan\u010di\u0107<\/strong>. A recording of the event is available at <a href=\"https:\/\/youtu.be\/QbNjfLro_uU\" target=\"_blank\" rel=\"noopener\">https:\/\/youtu.be\/QbNjfLro_uU<\/a><\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Pisanje i metamorfoze du\u0161e. Fjodor Mihajlovi\u010d Dostojevski - 21. prosinca 2021.\" width=\"1170\" height=\"658\" src=\"https:\/\/www.youtube.com\/embed\/QbNjfLro_uU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p data-wahfont=\"16\" data-wahpro-txt-style=\"font-size: 16px;\"><strong><img decoding=\"async\" class=\"alignleft wp-image-17512\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/12\/standard_compressed_Dostoevskij_1876_1_-1-206x300.jpg\" alt=\"\" width=\"142\" height=\"207\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/12\/standard_compressed_Dostoevskij_1876_1_-1-206x300.jpg 206w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/12\/standard_compressed_Dostoevskij_1876_1_-1-704x1024.jpg 704w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/12\/standard_compressed_Dostoevskij_1876_1_-1.jpg 731w\" sizes=\"(max-width: 142px) 100vw, 142px\" \/>Fyodor Mikhailovich Dostoevsky<\/strong> (1821\u20131881) is a writer of world significance who exerted an extraordinary influence on our era. Both contemporary and timeless, he wrote masterpieces such as \u201c<strong>Crime and Punishment<\/strong>\u201d, \u201c<strong>The Brothers Karamazov<\/strong>\u201d, \u201c<strong>Notes from Underground<\/strong>\u201d and \u201c<strong>The Idiot<\/strong>\u201d. As a man he suffered (surviving a mock execution before a firing squad and imprisonment in Siberia), while as a writer he narrated brilliantly and developed a poetics of the transformation of humanity. This great connoisseur of the soul explored the inner spaces of human beings, with their many \u201cbasements and floors\u201d, searching for freedom and purity capable of overcoming the horrors of the external world: \u201cTo take a new step, to utter a new word, is what people fear most.\u201d Faced with evil and misfortune, <strong>Dostoevsky<\/strong> devoted his entire oeuvre to affirming personality and love, frequently addressing suffering and faith: \u201cAll people are connected by mysterious threads, and a true relationship to life is measured by unconditional love that transcends the limits of reason.\u201d <em>Igor Gajin, Boris Bosan\u010di\u0107 and \u017deljko Senkovi\u0107<\/em> discussed the fundamental characteristics of this great writer.<\/p>\n<blockquote>\n<p data-wahfont=\"16\" data-wahpro-txt-style=\"text-align: left; padding-left: 80px; font-size: 16px;\"><em>\u201cIn every person\u2019s memories there are things they do not reveal to everyone, but only to friends. There are also things they will not tell even their friends, but only themselves, and then only in confidence. Finally, there are things a person is afraid even to reveal to themselves, and every decent person has quite a few such things.\u201d<\/em> (F. M. Dostoevsky: <em>Notes from Underground<\/em>)<\/p>\n<\/blockquote>\n<hr width=\"100%\" \/>\n<h2>6 May 2021<br \/>\nWriting and Freedom. Kafka\u2019s Short Stories<\/h2>\n<p><img decoding=\"async\" class=\"alignleft wp-image-6693\" src=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/08\/kafka-300x204.png\" alt=\"\" width=\"268\" height=\"182\" srcset=\"https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/08\/kafka-300x204.png 300w, https:\/\/www.ffos.unios.hr\/wp-content\/uploads\/2021\/08\/kafka.png 593w\" sizes=\"(max-width: 268px) 100vw, 268px\" \/>The second EstLab event featured a presentation and <strong>discussion of Kafka\u2019s short stories<\/strong>, lesser-known short texts by the famous writer, led by Professor <strong>\u017deljko Senkovi\u0107.<\/strong> The adjective \u201cKafkaesque\u201d is used to describe the absurdity and paradoxical nature of many aspects of modern society. Even if he was indifferent toward life, Kafka resisted an organised world that insists on our replaceability and produces redundant people. We do not know how truly to exist amid the advance of the inhuman, and so we merely survive as shadows of what we could and should have been. Kafka\u2019s sentence is stripped bare, and therein lies the distinctive beauty of his prose. For him, writing is a form of prayer, but also a service to the devil. By presenting absurd and monstrous images of the world as lies, he expresses simple and relentless truths, revealing the abyss and desert of the modern simulacrum of power. He cannot be reduced to any established aesthetics or politics of our age; he remained distant from every ideology, yet nevertheless represents a wind of freedom and resistance. What does Kafka tell us, this writer who did not wish to teach or serve as a guide?<\/p>\n<p>Participants in the discussion were: \u017deljko Senkovi\u0107, Marijan Krivak, Bo\u0161ko Pe\u0161i\u0107, Milijana Mi\u010dunovi\u0107 and Boris Bosan\u010di\u0107.<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><iframe title=\"EstLab - Pisanje i sloboda: razgovor o Kafkinim pripovijetkama - 6. svibnja 2021.\" width=\"1170\" height=\"878\" src=\"https:\/\/www.youtube.com\/embed\/1nNmlIp4Sd0?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Literature and philosophy call into question the essence of everything that is, enchant the world and illuminate being as relation. Yet in an age dominated by mass stupidity, when the radiance of logos (word and meaning) is fading, we are called upon to reconsider our place and orientation and to decipher the hieroglyphs of a [&hellip;]<\/p>\n","protected":false},"author":35,"featured_media":8731,"parent":125486,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-130782","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/pages\/130782","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/users\/35"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/comments?post=130782"}],"version-history":[{"count":4,"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/pages\/130782\/revisions"}],"predecessor-version":[{"id":130810,"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/pages\/130782\/revisions\/130810"}],"up":[{"embeddable":true,"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/pages\/125486"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/media\/8731"}],"wp:attachment":[{"href":"https:\/\/www.ffos.unios.hr\/en\/wp-json\/wp\/v2\/media?parent=130782"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}